Krishna: Tume Bata hai sayyam Ma, Papa yeh dono meri duniya ti. Sayyam truned and look towards Krishna… Her eyes was filled with tears… And she hold sayyam’s one shoulder Krishna: Sayyam aren’t u going to who is he? Krishna: Ha sayyam …( Sayyam was little shocked becoz she never told about it) there was someone I loved soo much. Sayyam: Same apply to me also.btw Krishna u never told me about u first love…Asa Koi ta tumhari zindagi main… Krishna: Kuch bi nahi.sirf tume chahiye mujhe… What about what do u want? Sayyam: Aaj 5th February hain.valentines’s day is coming…what to u want? Krishna: Hmm… Ab Mein tum hari saat Hu.sab tik hoo jayega. Sayyam: It’s ok Krishna… Tumhari wajase I got rid of from that darkness. Krishna: I know sayyam.sorry i remind u that horrible day again. Kyuki I was soo scared that again i will…(couldn’t complete) Krishna: Chii sayyam…tum ase ladkiya pasand hai… Then u should have choose someone like that. Let me think… Someone sooo s*xy.(Krishna was looking shocked) like Sunny Leone… Krishna: Sayyam eka baat batao… If u didn’t meet me what kind of a girl u wanted to marry… They talk about lots of thinks.they eat n then clean the place.then both of them lie down while holding their hands… Different types of biscuits… Few chocolates ?. Then he opened it and too a big cloths n sheeted on the grass… Krishna turned to see what sayyam do. Sayyam take few steps back n kept the basket. On the other hand the basic conflict is well established, the drama works and the execution with a good cast lifts the material often on the level of solid workmanship and a few times beyond.Krishna: Woowa sayyam it’s beautiful. The film is above average but suffers somewhat from using Bollywood cliches and a not terribly original story, a variation of so many other Bollywood love stories. Saif Ali Khan plays once more a playboy, which he can do on autopilot by now. Esha Deol has not got beauty queen looks, but something better instead: personality and charm. Hrithik Roshan tends to overact in comic scenes, but is on the other hand excellent in dramatic and emotional moments. Both can be seen on the DVD as well as on 35mm prints. Sharp shots and out of focus and filtered shots follow each other in random fashion, without a recognizable concept. Technically the film is uneven like almost all Bollywood films.
Also impressive is the scene around the intermission and the tell-me-your-name-scene which culminates in a wedding song, to name two more examples. There is a comic scene that makes fun of Bollywood film making which directly leads into the inevitable declaration of love between hero and heroine and its expression in a song number, all elegantly executed. There is an equally effective scene involving a zipper. There is a delightful party dancing scene which has only one fault, it's too short. There are still lesser moments that pay unnecessary tribute to the 'formula' (silly comedy bits, a clichéd gay character, a hero-beats-up-multiple-adversaries scene.) but they are outweighed by moments which show that the director has at times a firm grip on the various aspects of cinematic expression and uses his tools to good effect (camera, editing, sound effects).
But then the film gets momentum and starts to deliver. The first half hour is the weakest part of the film, with a song that should be cut, too slow a pace and some tired Bollywood antics. NTJNH is Arjun Sablok's first feature film.
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